Leviathan features a scholarly bounty of articles, notes, reviews, and creative writing of a critical, theoretical, cultural, or historical nature on the impressive body of work of American novelist and poet Herman Melville (1819-1891). Published under the aegis of The Melville Society one of the oldest single-author societies in the United States Leviathan includes a regular feature, Extracts, for sharing Melville Society transactions and programs as well as abstracts of papers delivered at its annual MLA and ALA panels. Leviathan also regularly publishes special issues, book reviews, interviews, and poems.
Life Writing, one of the leading journals in the field of biography and autobiography, has the unique and unusual policy of carrying both scholarly articles and critically informed personal narrative. The journal has three sections: Academic Articles, 8220;Reflections8221; and Reviews. In the Reflections section, we hope to find the reflective/discursive voice leading the minor theme of the autobiographical. However, fiction, ficto-memoir and poetry are not accepted. Our editorial board comprises leaders in the field of life writing practice, such as Paul John Eakin, Sidonie Smith, Lila Abu-Lughod and Ruth Behar. Submissions The editor welcomes articles that consider any aspect of the contemporary meanings of life narrative, and is particularly interested in work that aims to incorporate interdisciplinary perspectives and broaden the geographical focus of life writing. Submissions of articles and reflections should be sent to Maureen.Perkins@curtin.edu.au. Peer Review Policy All research articles in this journal have undergone rigorous peer review, based on initial editor screening and blind refereeing by two anonymous referees.DisclaimerTaylor & Francis makes every effort to ensure the accuracy of all the information (the 8220;Content8221;) contained in its publications. However, Taylor & Francis and its agents and licensors make no representations or warranties whatsoever as to the accuracy, completeness or suitability for any purpose of the Content and disclaim all such representations and warranties whether express or implied to the maximum extent permitted by law. Any views expressed in this publication are the views of the authors and are not the views of Taylor & Francis.
Lingua e Stile was founded in 1966 by Luigi Heilmann and Ezio Raimondi as a meeting point between philosophy of language, linguistics and literary criticism. In 2002, in a very different cultural context, it launched a new biannual series dedicated to the history of the Italian language. The series encompasses various rigorous methodological approaches and presents studies, with a broad range of themes, dedicated to the history of language and dialects in Italy. It also provides a forum for research that touches upon other disciplines, including literary criticism, dialectology, sociolinguistics and philology.
The Lion and the Unicorn is a theme- and genre-centered journal of international scope committed to a serious, ongoing discussion of literature for children. The journal's coverage includes the state of the publishing industry, regional authors, comparative studies of significant books and genres, new developments in theory, the art of illustration, the mass media, and popular culture. It has become noted for its interviews with authors, editors, and other important contributors to the field, such as Mildred Wirt Benson, Robert Cormier, Chris Crutcher, Lensey Namioka, Philip Pullman, and Aranka Siegal.
Literary Imagination is a forum for all those interested in the distinctive nature, uses, and pleasures of literature, from ancient to modern, in all languages. Its aim is to encourage wide-ranging discussions between those committed to the reading and study of literary works, and to the reading and writing of poetry, fiction, translations, drama, non-fiction essays, criticism, and scholarship concerned with them. The Journal seeks to develop a healthy environment for academic literary study and for the literary culture that extends beyond the academy. The Journal welcomes literary scholars, both academic and independent; teachers of literature in colleges, universities, and secondary schools; poets, novelists, playwrights, actors, and directors; translators, journalists, critics, editors, and publishers; and all other serious students of literature.Literary Imagination is covered by the following major abstracting and indexing services:Annual Bibliography of English Language and LiteratureHumanities International CompleteMLA Directory of PeriodicalsMLA International BibliographyPoem Finder.