Journal Guide

Philosophy, Psychiatry, & Psychology (PPP) focuses on the area of overlap among philosophy, psychiatry, and abnormal psychology. The journal advances philosophical inquiry in psychiatry and abnormal psychology while making clinical material and theory more accessible to philosophers. Each issue features both original and review articles, a "Concurrent Contents" section that lists relevant publications, and a newly expanded "International News and Notes" section.

Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.

The mission of the Journal is to facilitate dissemination of programs that use community partnerships to improve public health, to promote progress in the methods of research and education involving community health partnerships, and to stimulate action that will improve the health of people in communities. Communities, as defined by the Journal, may be based on geography, shared interests, or social networks. The Journal is dedicated to supporting the work of community health partnerships that involve ongoing collaboration between community representatives and academic or governmental partners. This area of research and evaluation may be referred to as community-based participatory research (CBPR). The W. K. Kellogg Foundation defines CBPR as a collaborative approach to research that equitably involves all partners in the research process and recognizes the unique strengths that each brings. CBPR begins with a research topic of importance to the community and has the aim of combining knowledge with action and achieving social change to improve health outcomes and eliminate health disparities.

Reviews in American History provides an effective means for scholars and students of American history to stay up to date in their discipline. Each issue presents in-depth reviews of over thirty of the newest books in American history. Retrospective essays examining landmark works by major historians are also regularly featured. The journal covers all areas of American history including economics, military history, women in history, law, political history and philosophy, religion, social history, intellectual history, and cultural history. Readers can expect continued coverage of both traditional and new subjects of American history, always blending the recognition of recent developments with the ongoing importance of the core matter of the field.

SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater, an interdisciplinary exploration of the art of the miniature and Fielding' s novels, or a theoretical exposition of the "material sublime" in Romantic poetry written by women.

Having never missed an issue in over 120 years, the Sewanee Review is the oldest continuously published literary quarterly in the country. Begun in 1892 at the University of the South in Sewanee, Tennessee, it stands as the guardian, steward, and advocate for the stellar voices of American, British, and Irish literature. Published quarterly (winter, spring, summer, fall), the Review is unique in the field of letters for its rich tradition of literary excellence in general nonfiction, poetry, and fiction, and for its dedication to unvarnished no-nonsense literary criticism. Each volume is a mix of short reviews, omnibus reviews, memoirs, essays in reminiscence and criticism, poetry, and fiction. Each issue coheres around a broad theme, such as Irish literature, southern letters, the literature of war, the modern Catholic novel, autobiography, and many other engaging topics. In this venerable journal you have the direct literary line to Flannery O'Connor, Robert Penn Warren, Hart Crane, Anne Sexton, Harry Crews, and Fred Chappellnot to mention, Andre Dubus and Cormac McCarthy, whose first stories were published in the Sewanee Review. Each issue is a brilliant seminar, an unforgettable dinner party, an all-night swap of stories and passionate stances. We invite you to subscribe to the Sewanee Review and explore the content that places this magazine among the most highly regarded literary quarterlies in the world.

The South Central Review is an interdisciplinary journal publishing a stimulating mix of scholarly articles, essays, interviews, and opinion pieces on literary criticism, film studies, philosophy and history, as well as current debates on important cultural and political topics. The South Central Review is the official journal of the South Central Modern Language Association.

An expansion of the highly regarded Christian Spirituality Bulletin, Spiritus covers a wide range of disciplines within the field of religious studies: history, philosophy, theology, and psychology. Ecumenical in its approach, Spiritus explores the connections between spirituality and cultural analysis- including literary and artistic expression, social activism, and spiritual practice. Filled with lively insightful articles, reviews, and new translations of important texts, Spiritusappeals not only to scholars and academics, but also to general readers such as pastors, practitioners, and those in the helping professions. The journal's goal is to promote research in the field of Christian spirituality while fostering creative dialogue with other non-Christian traditions.

The new editorial board of Studies in American Fiction invites submissions of essays that offer innovative and path-breaking perspectives on American fiction. Under a new partnership with Johns Hopkins University Press and Project MUSE, SAF will continue to feature peer-reviewed essays, with the enhanced circulation and visibility of JHUP and MUSE. Since its founding in 1973 at Northeastern University, SAF has been the only scholarly journal devoted entirely to American fiction, publishing high quality essays focused on a wide range of canonical and non-canonical authors. In its new format, SAF will maintain its commitment to publishing exciting new work on writers ranging from Susanna Rowson to Toni Morrison, while also emphasizing forms of writing that do not conform to traditional genres and forms. We welcome essays that define the terms "American" and "fiction" broadly, by interrogating and redrawing both generic and geographical boundaries. We especially welcome submissions on emergent writers and canons, as well as neglected and rediscovered writers from North America's colonial past to the United States' globalized present.

Studies in the Novel is published quarterly by the English Department at the University of North Texas. Since its inception in 1969, it has sought out excellence in criticism of the novel in all periods, from all interpretive approaches. It considers the work of established and emerging novelists worldwide. The average issue contains five to six essays, eight to ten reviews of recent books on novels and novelists, and the occasional essay-review. The journal publishes a special issue roughly once a year, devoted to a single topic, comprised of commissioned essays, and edited by a guest editor. Articles submitted to Studies in the Novel are refereed by a wide array of scholars drawn from an extensive international pool. Studies in the Novel is a member journal of the Council of Editors of Learned Journals.

In publication continuously since 1971, SubStance is a major interdisciplinary journal with a reputation for excellence. It is an international nexus for discourses converging upon literature from a variety of fields, including philosophy, the social science, science, and the arts. Readers have come to expect the unexpected from SubStance, and to experience a sense of participating in the formulation of emerging theories.

Transactions of the APA (TAPA) is the official research publication of the American Philological Association. TAPA reflects the wide range and high quality of research currently undertaken by classicists. Highlights of every issue include: The Presidential Address from the previous year's conference and Paragraphoi a reflection on the material and response to issues raised in the issue.

Technology and Culture is the preeminent journal for the history of technology. Drawing on scholarship in diverse disciplines, Technology and Culture publishes insightful pieces intended for general readers as well as specialists. Readers include engineers, anthropologists, sociologists, museum curators, archivists, historians, and others. In addition to scholarly essays, each issue features 30- 40 book reviews and reviews of new museum exhibitions. To illuminate important debates and draw attention to specific topics, the journal occasionally publishes thematic issues. Recent special issues have focused on biomedical technology, patents and inventions, ecology, engineering in the twentieth century, and gender and technology.

An official journal of the College English Association, The CEA Critic publishes scholarly works that, through "close reading" methodology, examine the texts of fiction, poetry, drama, nonfiction, and film studied on the college level. Bridging traditional academic scholarship with practical pedagogy, the journal encompasses a broad range of interests gathered traditionally under English studies: literature, womens studies, speech, composition, minority studies, creative writing, popular culture, film studies, technical communication, and ESL (English as a Second Language). By focusing on the contextual rather than the theoretical aspects of works, The CEA Critic provides a refreshingly sharp academic and practical perspective for teachers and scholars alike. Published three times a year in Winter, Spring-Summer, and Fall for the College English Association (CEA).

Sponsored by the Emily Dickinson International Society, The Emily DickinsonJournal showcases the poet at the center of current critical practices and perspectives, providing an ongoing examination of Dickinson and her relation to the tradition of American poetry and women's literature. Since its founding in 1991, the Journal has become the major source for current scholarship on Dickinson, publishing writing by the very best young scholars as well as work by those established in the field.